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Presenting poetry and dance as a unified art form

Xenophilia

By Allison Joseph, Carbondale, IL

Grand Prize, Dancing Poetry Festival, 2008

 

Sing to me a language I don’t speak

with vowels swirling round my ears like silk,

fingertips lifting candied morsels to my mouth,

 

tidbits freed from multicolored tins, their labels

printed in the ancient hieroglyphs of pre-war

factories, machines like monarchs.

 

Sing to me of settlements, of dust you cannot

wipe from your family name, of carousels

and caravans, tiny stringed instruments in velvet

 

cases packed away in steamer trunks stuffed

with sepia photos adamant in their frames.

Whisper secrets only your people know,

 

untranslatable lullabies lilting me into sleep

deeper than rivers by towns now wiped

off any map, a disappeared cartography.

 

I need to hear click songs and umlauts,

trilled r’s and double “l”s, surnames

restored to multisyllabic glory from Ellis

 

Island simplifications.  Share with me

your history’s hope chest--bibles and brooches,

parchment-thin letters with faded fountain scrawls,

 

recite epic poems until I swoon, shuddering

under blankets woven by women blackshouldered

beneath mantillas of gypsy lace, generations

 

of widows intimate with the world’s grace

--those tender of graves, singers of hymns,

prayer beads worried between leather palms.


Allison Joseph, Carbondale, IL, at the podium with her Grand Prize Winning Poem, "Xenophilia." Photo by Carol Sermon
"Xenophilia" as danced by Natica Angilly's Poetic Dance Theater Company at the Dancing Poetry Festival, September 27, 2008, at the Florence Gould Theater in the California Palace of the Legion of Honor. Photo by Carl Sermon
Photo by Judy Hardin Cheung
Photo by Carl Sermon
Photo by Carl Sermon
Curtain call, bow and photo op for Allison Joseph and dancers. Photo by Judy Hardin Cheung